On Stage: To Kill a Mockingbird
TO KILL A MOCKINGBIRD
Harper Lee’s Pulitzer Prize-Winning American classic To Kill a Mockingbird comes to Broadway in a new adaptation by Aaron Sorkin, Directed by Bartlett Sher.
Inspired by Lee’s own childhood in Alabama, To Kill a Mockingbird features one of literature’s towering symbols of integrity and righteousness in the character of Atticus Finch, based on Lee’s own father. The character of Scout, based on herself, has come to define youthful innocence – and its inevitable loss – for generation after generation of readers around the world.
Published in 1960, Harper Lee’s debut novel To Kill a Mockingbird was an immediate and astonishing success. It won the Pulitzer Prize and quickly became a global phenomenon, with more than 50 million copies in print to date. Considered one of the great classics of modern American literature, the novel has never been out of print since its original publication.
To Kill a Mockingbird Broadway Show Tickets | To Kill a Mockingbird Broadway Show Schedule
The Shubert Theatre had its genesis in the New Theatre, an “art” playhouse located on Central Park West that was devoted to serious repertory drama. Although the project was a critical and commercial flop, the New Theatre Group, which included Lee Shubert, leased a plot of land between 44th and 45th street to construct a new venue. The plan was abandoned, but Lee Shubert and Winthrop Ames, a former New Theatre partner, acquired a lease for the site, and built two adjoining playhouses there. Lee and J.J. operated the larger of the two auditoriums, which they named the Sam S. Shubert Memorial Theatre to commemorate their brother, who had died in May 1905. Ames managed the smaller Booth Theatre.
The Shubert and Booth theatres utilized an unusual design scheme, sharing an architecturally unified exterior (in the style of the “Venetian Renaissance”), but completely distinct interiors. The sgraffito (plaster frescoes created by etching plaster while it is still wet) that decorates the exterior was architect Henry B. Herts’s unusual decorative solution to a statute in the city’s building code dictating that no part of the edifice project beyond the building line. Another distinctive feature is the private roadway connecting 44th and 45th Streets, which runs between the two new theatres and the rear of the adjacent building--formerly the Astor Hotel, now the Minskoff. This thoroughfare, which came to be called Shubert Alley, allowed each theatre to occupy a corner lot. The Shubert's elegant interior is marked by elaborate plasterwork, and a series of theatrically-themed painted panels that adorn the boxes, the area above the proscenium arch, and the ceiling. Lee chose to build an office/apartment above the theatre, which is now the location of the Shubert Organization’s executive offices.
Details on the Shubert Theatre's Accessibility
Theatre is not completely wheelchair accessible. There are no steps into the theatre from the sidewalk. Please be advised that where there are steps either into or within the theatre, we are unable to provide assistance.
Shubert Audience Services
The Shubert Theatre provides accommodations for patrons who are blind, deaf, partially sighted, and/or have hearing loss. The theatre provides infrared assistive listening devices for every performance at the theatre. In addition, beginning four weeks after a show’s official opening night performance, hand-held audio description devices and hand-held captioning devices are available, and there is unlimited access to downloadable audio description and/or captioning for personal mobile devices free of charge. (Hand-held devices are limited, although additional devices can be obtained with at least twenty-four hours’ notice.) If you have questions, contact Shubert Audience Services at 212-944-3700 or firstname.lastname@example.org. There is also a representative at the Shubert Audience Services kiosk at every performance to assist any patron with any of our devices, software, or technology.
Accessibility by Seating Section
Orchestra Location: Seating is accessible to all parts of the Orchestra without steps. There are no steps to the designated wheelchair seating location.
Mezzanine Location: Located on the 2nd level, up 2 flights of stairs (34 steps). Please Note: On the Mezzanine or Balcony level, there are approximately 2 steps per row. Entrance to Mezzanine is behind row K.
Balcony Location: Located on the 3rd level, up 3 flights of stairs (56 steps) from the Orchestra. Please Note: On the Mezzanine or Balcony level, there are approximately 2 steps per row. Entrance to Balcony is behind row J.
Handrails: Available at the end of every stepped seat row in the Mezzanine and Balcony.
Wheelchair | Companion Seat Locations:
Orchestra: T101 | T102, S103-104; T2 | T4, S2-4; T13 | T11, T7-9; T17 | T19, S19-21; T113 | T112, S111-112; T1 | T3, S1-3; T23 | T21, S23-25
Aisle Seat with Folding Armrest | Companion Locations:
Orchestra: S101 |S102; S114 | S113; R2 | R4; R25 | R23; O26 | O24
Located in the ticket lobby. Accessible at 54".
Not wheelchair accessible. Located down 1 flight of stairs (20 steps). Restrooms are also located on the Mezzanine & Balcony Levels. Wheelchair accessible restrooms are located at Sardi's Restaurant (4th floor, accessible via elevator) directly across the street.
Located in the ticket lobby.
The use of cameras, recording devices, cell phones, beepers, and other electronic devices during the performance is prohibited. Everyone attending a performance must have a ticket. Latecomers will be seated at the discretion of management. Wheelchair and mobility-impaired seating is intended for patrons with mobility disabilities. Children under the age of four years will not be admitted. No outside food or beverage permitted, unless medically necessary. No weapons permitted on the premises.